![]() Hester and Pearl discover him there and join himacknowledging the bond between the three before none other than themselves. ![]() Here, the reader sees a nearly mad man, too weak to reveal himself for what he really was, but too pious to otherwise ignore it. His penitence, however, lacked an audience. Late one night, Dimmesdale could have been seen on the scaffold, looking for some peace from the guilt tormenting his mind. Thereafter, he would pledge to avenge himself of the man that had partnered in wronging him. He seems an old, disappointed man finding that tbeonchc hall waited three years to joinha during that time. Hester’s wronged husband adds his voice to the multitude in demanding that Hester reveal her secret. Nearby, stood Arthur Dimmesdale, asking his secret lover to reveal the namepithe fatherlibat whild He did notant that time, buvezbe strongshor the will to do so himself, and was begging Hester to reveal him for what he was. She stood there in quiet defiance, refusing to reveal to the multitude before her who the father of her child was, and in this the reader ses a picture of a woman scorned and fearing for the life of herself and her child, but bearing the scrutiny of all with a calm defiance. Hester Prynne, clutching both the living and the imposed of her sin to her breast, is seen atop the scaffold, sternly looked on by all, but without her lover. At each scene, the reader comes to understand something of the main characters and glimpses how that sin represented by the scarlet “A” has affected them. The scaffold played an important part in identifying the characters of the Scarlet Letter thro-ughout the novel. Artistically and dramatically, these scenes are at the very core of Hawthorne’s tale of crime and punishment. The three scaffold scenes in The Scarlet Letter are integral to the structure and unity of the narrative, They are the most dramatic scenes at the beginning, in the middle and at the end of the novel.
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